West indian culture

No surface-level magic and wake-up culture

Spoiler warning

And just like that Season 1, developed by Michael Patrick King, fails to deliver the magic of the original sex and the city TV shows. The only saving grace is that the spirits of Carrie Bradshaw (Sarah Jessica Parker), Miranda Hobbes (Cynthia Nixon), and Charlotte York Goldenblatt (Kristin Davis) are kept intact.

Unfortunately, the season telegraphs “woke” culture, making most of the scenes gritty and superficial. Chez Diaz’s (Sara Ramirez) podcast with Carrie and Jackie Nee (Bobby Lee) shows that the creatives behind And just like that don’t get what we love about the storytelling in the ‘Sex and the City’ column.

As a fan of sex and the cityI wish I had liked this series, but it’s disappointing.

Middle-aged women have sexuality

One of the most successful aspects of And just like that Season 1 is that it shows characters of middle-aged women and a non-sexual binary character in their 50s and 40s as beautiful sexual beings. In the first three episodes, the only characters shown having sex are seventeen-year-old Brady Hobbes (Niall Cunningham) and his girlfriend, Luisa Torres (Cree Cicchino). The lack of sex among the main characters made me worry that they were erasing “sex” in sex and the city as the central trio are in their fifties and are therefore no longer desirable in the eyes of society. Fortunately, King reversed the situation.

The best example of the show embracing the sexuality of these middle-aged women are several scenes centering on Miranda and Che kissing or fucking. There are plenty of problems with Miranda and Che Diaz’s (Sara Ramirez) romance, but the scenes where they’re sexually intimate or attracted to each other aren’t one of them. Miranda, Carrie and Charlotte talk openly about their sex lives and romantic relationships at their beloved brunches and lunches. Charlotte even gives her husband, Harry Goldenblatt (Evan Chandler), a blowjob in “Bewitched, Bothered, and Bewildered.” Unfortunately, there have been more conceptual failures than triumphs in thissex and the city sequel series.

Superficial awakening

An important critique of the originalsex and the city television series is that he is very white and other than a couple of heteronormative gay white male characters. And just like that Season 1 went the wrong way trying to fix the lack of diversity. Michael Patrick King hired racially and sexually diverse writers, but they couldn’t help him understand the modern age. So instead of creating deep, complex, weird, or POC characters, King decided to telegraph “woke” culture.

Che

A significant example is Che, a non-binary Irish Mexican American stand-up comedian who is a superficial character. Che’s entire personality and dialogue is reminiscent of the fact that they are gender-neutral binaries. All of the “jokes” Che delivers are about being gender-neutral binaries, mostly ignoring that they are a person of color or might have other interests.

I understand that being gender-neutral can be an essential part of someone’s personality. But that can’t be the only part. Billions’ Taylor Mason (Asia Kate Dillon) is a great example of a complex genderless binary character. Taylor still uses the pronouns them/them and sometimes talks about their experience that doesn’t fit the gender binary, but he’s also a genius stockbroker who thinks outside the box. Che could have been more than a genderless bisexual binary color character.

Che is primarily used as a vehicle for Miranda and Carrie’s storylines. They lead Miranda to explore her sexuality and leave a sexless marriage with Steve Brady (David Eigenberg).

Che shutting down their podcast during the season finale led Carrie to create her new romance podcast called “sex and the city.” They educate all women about LGBTQ Plus culture. Che does not get a story arc or character growth; they do drastic selfish things to thwart or allow Miranda or Carrie’s choices.

The indian carrie

My final take on the portrayal of the various characters is that all of the women of color who befriend Carrie, Charlotte, and Miranda are mostly faint echoes of the main characters. Black documentarian Lisa Todd Wexley (Nicole Ari Parker) is a PSTA mother from Manhattan with a type A personality. She manages her children’s schooling and her husband’s social life like her new best friend, Charlotte.

In episode eight, Lisa and Charlotte have a public argument with their husbands at different times before the other married couple. Many fans think Seema Patel (Sarita Choudhury) is Samantha’s replacement, but I disagree. Carrie and Seema are elegant, independent women who love fashion, drink, smoke and are looking for love.

The main differences are their races and jobs. Seema is an Indian real estate agent, while Carrie is a white sex writer. It’s a shame that King and the other writers couldn’t create unique three-dimensional characters that weren’t plot tools for White’s three main characters.

Dr. Nya Wallace (Karen Pittman) has an independent story about infertility but is still like her new close friend Miranda. Both women are career-driven activist lawyers and aren’t sure they want kids. Both Nya and Miranda even struggle in their marriage this season. They want different things from their husbands. Michael Patrick King’s aspiration to be awakened is noble, but he missed the mark.

The Missing Carrie Narration

And just like that Season 1 lacks the magic of the original series in part because the creatives erased Carrie’s narration.sex and the city episodes were structured around Carrie’s “Sex and the City” columns. Carrie’s narration simulated her column writing and was woven throughout each episode. In And just like that Season 1, she no longer writes a sex column or does freelance work. the sex and the city the universe is a piece of a whole. But Carrie’s point of view is essential because she is our window on the bourgeois world of Manhattan.

And just like that feels flat without the narration, especially since we get a little taste of it at the end of each episode. For example, in the second episode, Carrie’s voiceover says, “And just like that, I learned how long five hours is.”

The poignancy of these tiny snippets of storytelling makes me want more. And it also reminds me how alive the whole original is sex and the city felt episodes. There is also no explanation as to why Carrie narrates the last scene of each episode since she no longer writes a column.

I believe Carrie creating a podcast or vlog throughout the season to act as a “modern” take on her sex column would have added a much-needed point of view and sparked the magic of the original series. The narration could be part of the podcast episode or a vlog where Carrie discussed sex, heartbreak, all kinds of relationships, and romance in general.

Perhaps Carrie’s storytelling will be back in full force in the second season. Because she just launched a new dating advice podcast called “Sex and the City.”

And just like that Final Thoughts

would you like to watch And just like that Season 2? I’m not personally sure, though; my love for Carrie, Charlotte and Miranda might make me want to come back for another season.

Let me know your thoughts in the comments below.

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