West indian literature

“Literature has helped me develop my imagination and writing skills”

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SL PURAM JAYASURYA | The director, who is known for films like Speed ​​Track, Angel John and Youtube trending Jack & Daniel, which garnered over 47 million views in six months, speaks with SUPRIYA RAMESH on his journey as a director, which paved the way for screenwriting and future work

When did your journey as a director begin?

I started my career as an assistant director with the legendary South Indian filmmaker, Mr. Fazil, who happened to be a multilingual director. So naturally I had the chance to work in Telugu, Tamil as well as Malayalam industry. It helped me a lot to understand the different styles of making, the use of technology and the processing based on the cultural differences present in these states. I later moved on to the director’s card directing Speed ​​Track, my first film with star actor Mr Dileep. It was the first full-length sports film in the Malayalam film industry. Well started is half done. I switched genres to fantasy in my second film Angel John, with legendary actor Mr Mohanlal. Finally Jack and Daniel, the third, still with Dileep and the pan-Indian actor Mr Arjun, which was an action film. Nowadays, it’s a trending movie on YouTube with a historic achievement of over 45 million views in just six months.

You have a degree in English literature. Did it still bring out your love for screenwriting?

Yes, naturally literature helped me to develop my imagination and my writing skills. But when it comes to screenwriting, it’s Fazil Sir’s school, I mean the days spent with him, that shaped me as a screenwriter. Scripting is a technique derived from the aesthetic joining of literature and visual sense to maintain the flow of consciousness. Also, my inheritance was a boon to me.

Your father SL Puram Sadanandan was a renowned screenwriter. What did you learn from his experience in the industry?

My father had a theater troupe named Suryasoma, where I had a great chance to observe his writing and directing skills. His dialogues in the theater and in the cinema were extremely sharp and powerful when it came to social evils which in turn influenced my writings and my thought process. I still can’t write a screenplay or anything without addressing social issues. But in all aspects, cinema has changed a lot. In a way, I have the chance to witness the transition process in cinema.

Do directing and scriptwriting go hand in hand?

Both are easy for me. As a writer-director, I have good control over the length and budget of my films. I can modify or aesthetically correct a script to respect its budget at any time during its production process. The director and the screenwriter are not twin brothers, but they are lovers and I appreciate them.

How much do you think filmmaking has changed over the years?

The direction has changed a lot with the development of technology. The advent of computer generated imagery has increased the scope of visualization to be more efficient and easy. Previously, the screenplay was considered an appendix to literature. The dialogues were the main means of communication. But now that is no longer the case. From now on, cinema has its language, that is to say the visual. As a director, I can create any range of visual treats using technology if the script calls for it. The speed of life today also has a great influence on cinema in its rhythm of editing and cutting.

Where do you see yourself in the next five years?

In the next five years, I hope to see myself in world cinema. Nowadays, Malayalam cinema has had the privilege of becoming Indian cinema and in turn, Hindi cinema has transformed into world cinema status. The gateway is now open. There are also many platforms. Thus, only our effort is needed to prove the class.

What are your upcoming projects ?

A few films are in the planning stage including a Tamil film and a Hindi film.

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